Antonio Ramos

My name is Antonio and I'm a 22 years experience Compositor with Supervision experience in the past 6 years. I started my career as compositor with Shake and then switch to lead compositor with Flame, and after that switch again to work with Nuke, so i have experience with kind of all the compositing softwares, i was teacher of Fusion too, and an open mind to understand all the process not only from a software point of view, but form the concept of compositing view. I also have a basic knowledge of some 3D softwares like Houdini or Modo and a full knowledge of all the 3D pipeline.

2022 (October) - 2023 (October) Outpost VFX

Working as Comp Supervisor for " Fast & Furious 10" and "The Accolyte"

2021 ( May) - 2022 ( October) Framestore

Working as Lead Compositor for " The Little Mermaid", "School of Good and Evil", "The Dark Materials Season 03" and "Downtown Abbey, A New Era"

2020 (November) - 2021 (April) Telson

Working as Senior Compositor for “Paraiso”

2020 (August) – 2020 (October) Trixter

Worlking as Senior Compositor for “Suicide Squad”

2018 (February) - 2020 (July) Deluxe Spain

Working developing the pipeline and workflow for the VFX department of the company in Spain and as VFX / DFX / Comp Supervisor and Onset Supervisor for episodic series for HBO (30

Coins) and Netflix ( Criminal S01 (all locations) and S02, Diablero S01) and features (The Influence,

Everybody knows, Yuli)

2016 (October) - 2018 ( January) Twin Pines

VFX / Comp Supervisor for episodic series ( La Catedral del Mar, La Peste S01, La Zona)

2016 ( August ) - 2016 (September ) Deluxe Spain

Comp Supervisor for feature film “ 1898: Our Last Men in the Philippines” (Nominee for Best VFX at

2017 Goya awards)

2016 ( May ) - 2016 ( June ) El Ranchito

Senior Compositor for feature film “Megan Leavey”

2014 ( March ) - 2016 (May ) MPC Montreal

Working as Lead Compositor for feature films “X-Men: Apocalypse”, “A Monster Calls” (Best VFX winner at 2017 Goya awards), “The Legend of Tarzan” and “X-Men: Days of Future Past (Rogue’s

Cut)”

Working as Senior Compositor for features films “X-Men: Days of Future Past” and “Cinderella”

2013 ( November ) - 2014 ( March ) MPC Vancouver

Working as Senior Compositor for features films “Maleficent” and “Godzilla”

2013 ( July ) - 2013 ( September ) Miopia FX

Working as VFX Supervisor/ Lead Flame Artist for commercials

2013 ( March ) - 2013 (May ) MPC Vancouver

Working as Senior Compositor for feature film “The Lone Ranger”

2012 ( October ) - 2013 (February ) PIXOMONDO Shangai

Working as Senior Compositor for feature film “Star Trek: Into Darkness”

2006 ( February ) - 2012 ( September ) Miopia FX

Working as Lead Flame/Nuke Artist for commercials ( Coca Cola, Burn, Toyota, Hyundai,

McDonalds...) and feature film “Ways to Live Forever”

2006 ( February ) - 2006 (July ) ISTITUTO EUROPEO DI DESIGN

Working as teacher of advanced compositing with Fusion

2004 (April ) - 2006 ( January ) Genlock

Working as Senior Compositor for feature film “ The Method “ and Editor / Compositor for several commercials and short films

2002 ( February ) - 2004 ( March ) Group Films Latino

Working as Editor for commercials and music videoclips

2001 ( January) – 2002 ( January ) Crea Anima2

Working as Editor / Compositor for 2D animated series “ Un Medico in Famiglia” and Graphic

Designer for Mr Bean animated series products.

Master in CGI and Animation in “Aula Tematica School” , Madrid, Spain

Engineer in Topography, Polytechnic University of Madrid, Spain