Interactive Writer, Fiction Writer & Scriptwriter
Request a quote with no obligation
I am a transmedia storyteller, copywriter, fiction writer, game creator and scriptwriter specializing in serialized, character-driven narratives across interactive fiction, film, and games. With a BA (Hons) in Filmmaking (Scriptwriting) from UWE, my work sits at the intersection of emotional storytelling and interactive design.
I currently write serialized fiction for platforms including Crazy Maple Studios and Radish Fiction (Tapas Media/Kakao Entertainment), crafting romance, thriller, sci-fi, and historical narratives designed for mobile-first audiences and transmedia adaptation. My work involves outlining episodic arcs, developing branching narratives, and writing dialogue that balances emotional authenticity with commercial pacing.
Alongside writing, I work as a Script Reader with Lift-Off Global Network at Pinewood Studios, reviewing feature-length screenplays, TV pilots, and shorts, and delivering structured coverage across concept, dialogue, pacing, and structure. This role sharpens my editorial judgment and gives me a strong understanding of what makes scripts both artistically compelling and industry-ready.
My background also includes narrative design and game testing for companies such as Keywords Studios and Microsoft HQ, giving me a strong grasp of interactive systems, player psychology, and iterative development. I understand not only how stories are written, but how they function within production pipelines and audience ecosystems.
At the core of my work is a commitment to emotionally resonant storytelling with clear commercial awareness. I create narratives that hook quickly, sustain tension episodically, and build strong character attachment, while remaining adaptable for multi-platform expansion.
Alongside writing, I work as a Script Reader with Lift-Off Global Network at Pinewood Studios, reviewing feature-length screenplays, TV pilots, and shorts, and delivering structured coverage across concept, dialogue, pacing, and structure. This role sharpens my editorial judgment and gives me a strong understanding of what makes scripts both artistically compelling and industry-ready.
My background also includes narrative design and game testing for companies such as Keywords Studios and Microsoft HQ, giving me a strong grasp of interactive systems, player psychology, and iterative development. I understand not only how stories are written, but how they function within production pipelines and audience ecosystems.
At the core of my work is a commitment to emotionally resonant storytelling with clear commercial awareness. I create narratives that hook quickly, sustain tension episodically, and build strong character attachment while remaining adaptable for multi-platform expansion.
2:1 Upper Division BA (Hons) in Filmmaking (Scriptwriting) from UWE.