Reece Tabangay

Diploma in Audio Production graduate with strong focus in live sound, immersive audio systems, and digital signal workflows. Experienced with Dante, d&b Soundscape, Klang and Atmos setups across festival, theatrical and broadcast productions. Eager to contribute to AV work with professionalism and adaptability.

My freelance experience includes engineering roles for Wesley Methodist Church, “Fairfield! The Musical,” and cross-cultural productions like Rituals in Teletopia, where I managed real-time audio and lighting across Singapore, Taipei, and Zurich. I’ve frequently taken on FOH, broadcast, and system roles, using tools like DiGiCo SD7, d&b Soundscape, and SSL System T.

Beyond show days, I’ve contributed to technical design and infrastructure, from optimising Dante networks and RF coordination to building immersive audio rigs and developing automated loudness loggers in Python. As a Studio Monitor at LASALLE, I supported equipment upkeep and student troubleshooting, and through initiatives like The Resonance Project, I mentored volunteers and led technical operations at youth concerts. My adaptability across venues, tools, and teams reflects a drive to continually push both the technical and creative boundaries of production.

I’m currently completing a Diploma in Audio Production at LASALLE College of the Arts (2022–2025), where I’ve specialized in live sound, immersive audio systems, and digital signal workflows. The program has given me hands-on experience with industry-standard tools like Dante, d&b Soundscape, and SSL System T, and has allowed me to contribute to major productions both on campus and externally. My education has been deeply practical, blending technical training with real-world projects across theatre, festivals, and broadcast environments.