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Lynn Thomas

Lynn Thomas

PRODUCER | STORYTELLER

Talent
TorontoMember since September 16, 2026
Client & Agency Relationship ManagementPost-Production Project ManagementStudio & Production SchedulingClient Approvals & FeedbackBudget Tracking & QuotesVendor CoordinationAsset & Deliverable ManagementCross-Functional Team Leadership
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Client & Agency Relationship ManagementPost-Production Project ManagementStudio & Production SchedulingClient Approvals & FeedbackBudget Tracking & Quotes

About

Post Producer and production professional with 10 years of experience across post-production, development, field, casting, and archival production for major networks, streamers, and brands including Netflix, Apple TV+, HBO, CNN, Crave, Target, YouTube, and Amazon. Experienced in coordinating multidisciplinary creative, editorial, legal, client, and production teams; managing schedules, assets, budgets, approvals, and deliverables; and building systems that keep complex projects organized, on time, and under budget

Experience

Post Producer / Archival Producer at Vice Media Studios (2024-10 – 2026-04)

Into the Void: Life, Death & Heavy Metal (Crave, Hulu); Everybody Hates: Sports Heroes (ViceTV)

  • Coordinated archival, editorial, legal, and post-production workflows across multi-story projects, keeping teams aligned on assets, notes, approvals, budgets, and deliverables.
  • Built an Airtable-based asset management system tracking source, clearance status, budget, and legal fair-use approvals; automated legal and deliverable paperwork, reducing turnaround time by an average of 3 hours per episode.

Post Producer / Archival Producer at Bright North Studios (2023-10 – 2024-10)

NYPD True (CBS+, Paramount); Nancy Grace: The Christmas Killings (FilmRise)

  • Built reusable templates and contact databases that streamlined federal and state public-information requests and improved production efficiency.
  • Created and maintained weekly creative and production office hours, mentoring team members and providing ongoing support around archival and post-production workflows.

Post Producer / Archival Producer at HitPlay Productions (2023-04 – 2023-10)

An Unfinished Journey (Canadian Broadcasting Corporation, Game Theory Films)

  • Managed archival rights and budget considerations across broadcast and theatrical distribution, completing the archival work $10,000 under a $40,000 budget.

Post Producer / Archival Producer at Ark Media / Hoorae Media (2022-11 – 2023-03)

Seen & Heard: A History of Black Television (HBO Documentary Films)

  • Created project-management and tracking systems to coordinate editorial and legal notes across a fully remote multidisciplinary team.

Digital Livestream Producer at Stage TEN Productions (2021-11 – 2022-06)

Client: Target Corporation, YouTube

  • Managed content calendars, client approvals, and live-production logistics from planning through execution, coordinating creative, client, and production teams throughout the campaign lifecycle.
  • Directed research, talent sourcing, and content strategy for influencer-led campaigns and live-shopping broadcasts supporting major national product launches.
  • Served as a central point of coordination between client requirements, creative development, talent, and production logistics.

Post Producer / Archival Producer at All Rise Films / Words + Pictures (2021-11 – 2022-11)

Super League: The War on Football (Apple TV+)

Post Producer / Archival Producer at Left Right Pictures (2021-09 – 2021-11)

The Murdochs: An Empire of Influence (CNN)

Post Producer / Archival Producer at Vox Media Studios (2021-06 – 2021-09)

Explained: The Brain (Netflix)

Post Producer / Story Producer at Jupiter Entertainment (2021-01 – 2021-03)

Prisoner of Love (Investigation Discovery)

Digital Producer / Branded Content at NowThis News (2020-10 – 2021-01)

Client: Amazon, NowThis Impact

  • Pitched, interviewed, edited, and scripted small-business profiles during the COVID-19 lockdown period.

Skills

PRODUCERSTORYTELLER

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