Audio-Visual Engineer | Disc Jockey (DJ)
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Having graduated from Republic Polytechnic with the Diploma in Sonic Arts, I have been exposed to and have grasped a strong foundation in Audio Systems, whether they may be installed in a venue, or in an ever-changing live audio setup. I spent the better part of a year as an intern with E&E Services as an Audio-Visual System Engineer, maintaining and managing the audio and video systems at large and popular venues such as Marquee Nightclub Singapore, Jewel at Changi Airport, Marina Bay Sands, and Gardens by the Bay, just to name a few.
I have also had a strong interest in anything audio-related, being a freelance Music Producer, as well as a Disc-Jockey (DJ) at nightlife venues such as the now defunct, Get Juiced, Canvas, 360 Lounge, and Fleek Singapore, now reborn as Prism Nightclub. Stepping away from nightlife, I have also had the opportunity to be part of the setup crew, as well as perform for live events such as Tapaufest International Music Festival in Ipoh, Malaysia, IGNITE! Music Festival, as well as Let's Celebrate 2020, the official Mediacorp New Year's countdown show held at The Promontory at Marina Bay.
Through my various experiences, I am confident that I am able to assist and put in my all in whatever situation is thrown at me, regardless of its scale or location.
2018 - Present : DJ
Get Juiced, Canvas, 360 Lounge, Baliza, Fleek, B-Side
Mediacorp Countdown 2020, Tapaufest International Music Festival 2022, IGNITE! Music Festival 2019, Flashbang 2020, Aiwal Urban Arts Festival 2020, 987FM's FML 2022, SLIDEOUT 2019
2020: Intern at E&E Services PTE LTD
I was part of the Audio-Visual Service Crew, travelling around the nation managing and troubleshooting AV systems of various scales, ranging from a simple projector system in a classroom, to a multi-mixer audio system in Marquee Nightclub, and the Digital Light Canvas in Marina Bay Sands.
2018-2021 : Diploma in Sonic Arts at Republic Polytechnic
I graduated from Republic Polytechnic in 2021 with the Diploma in Sonic Arts (DSA). Being part of the top 10% percentile of my cohort, DSA has allowed me to grasp a strong understanding of the ins and outs of Audio Engineering. I was exposed to various analogue and digital mixers, as well as live and installed setups of various scales. Coupled with my internship at E&E, I am excited to continue my journey as an Audio Engineer with the countless number of audio-visual systems out there.