Christopher Guillot

Creative and driven producer with extensive experience across the full production pipeline, from concept development and scripting to directing on-set crews and leading post-production. Proven ability to manage all production logistics, maintain strong client relations, and deliver optimized content for diverse platforms. Passionate about creating content for underserved audiences and leveraging internet culture, seeking to contribute expertise to NewWorld Studios.

Audio Engineering Instructor, CTE II at CEC Early College of Denver (2018-08 – 2026-05)

• Developed and delivered comprehensive lecture, lab, and studio-based coursework covering audio engineering, recording technology, sound production, and music production.
• Authored syllabi, designed engaging projects, created assessments, and facilitated hands-on studio activities, ensuring alignment with program outcomes, CTE expectations, and current industry practices.
• Instructed students on acoustics, signal flow, Digital Audio Workstation (DAW) operation, microphone techniques, recording workflows, mixing, mastering, live sound reinforcement, and studio safety protocols.
• Guided students through portfolio-building recording sessions, capstone projects, and simulated live/studio production scenarios.
• Assessed student performance via technical demonstrations, project evaluations, laboratory exercises, examinations, and personalized constructive feedback.
• Maintained studio facilities, instructional resources, audio equipment inventory, and classroom technology, while actively participating in curriculum development, program assessment, and student advising initiatives.

Owner, Studio Director & Audio Forensic Specialist at Cherry Sound LLC / Cherry Sound Studio (2009 – Present)

• Preside over daily operations of a professional audio services business, directing all aspects of budgeting, payroll, compliance, hiring, scheduling, client relations, marketing, and technical execution.
• Supervise audio engineers and interns, formulate employee work plans, and direct recording, post-production, forensic analysis, and client-facing workflows.
• Established Audio Forensic Pros, broadening service offerings to include audio enhancement, forensic analysis, and expert witness support for law enforcement agencies, legal counsel, and private investigators.
• Orchestrate client consultations from initial project intake through final deliverable, ensuring technical precision, secure data management, and transparent communication.
• Spearhead marketing strategies, develop sales collateral, manage web/SEO content, direct public relations efforts, and foster community engagement to expand service reach.
• Manage and maintain professional studio systems, resolve technical challenges, organize data storage and archiving processes, and oversee equipment installation and upgrades.
• Notable clientele includes the Attorneys General' Offices of Colorado, Montana, Wyoming, and Maryland.

Studio Director at Cherry Sound Studio LLC (2003 – 2009)

• Devised the initial capital budget and comprehensive business plan for the studio's establishment, encompassing site selection, studio design and build-out, and equipment installation.
• Formulated service portfolios, operational policies, procedural guidelines, client consultation frameworks, marketing strategies, and data archiving systems.
• Directed technical troubleshooting, public relations initiatives, community outreach, client service management, and project delivery across all studio operations.

AV Technician / Live Event Audio Engineer at Freelance (2010-11 – Present)

• Install, operate, maintain, and troubleshoot audio-visual (AV) systems for diverse events including meetings, conferences, presentations, concerts, and live performances.
• Configure and manage large-format analog and digital audio consoles, wireless microphone systems, line array and conventional speaker arrays, projectors, screens, presentation control systems, power distribution, cabling infrastructure, and video systems.
• Record meetings and presentations, operate cameras, manage image magnification (iMAG) and spotlight operations, support teleconference systems, manage cable deployment and inventory, and assist with stage rigging tasks.

Music & Sound Producer at Elevation Creation, Inc. (2002-01 – Present)

• Produce original musical compositions, sound design elements, voiceover recordings, and field audio for film, video, multimedia, and commercial productions.
• Record, edit, mix, and deliver audio assets for a diverse clientele across media, educational, and creative production sectors.
• Collaborate effectively with producers, video teams, and creative stakeholders to ensure audio deliverables precisely align with project objectives.

Owner / CEO at Cherry Sound Records (2012 – Present)

• Lead all facets of an independent music business, supporting both audio production services and record label operations.

Arts to Action Program Coordinator at Flobots.org (2010 – 2013-03)

• Facilitated connections between youth participants and professional artist mentors, providing access to enriching arts experiences through afterschool and daytime programs.
• Developed music and music technology curricula, and subsequently designed, coordinated, and executed educational activities and associated projects.
• Conceptualized program offerings, established outcome metrics, cultivated school and community partnerships, and produced multimedia documentation to showcase program impact.

Music Program Coordinator at Street Fraternity (2010 – 2013-02)

• Designed and established a fully equipped music studio, and subsequently created comprehensive curricula for beginner through advanced audio and music production.
• Instructed students in audio engineering, music production, and studio fundamentals within a community-centered youth development framework.

Music Program Coordinator at The Spot / Urban Peak (2003-08 – 2008-03)

• Instituted and managed a 16-week recording studio program tailored for youth aged 14 to 24.
• Oversaw a music technology program serving over 20 students per session across 5 DAW workstations, dedicated vocal booths, and a 24-channel studio with an isolated control room.
• Developed and taught courses encompassing copyright law, advanced music production techniques, audio engineering principles, music business strategies, songwriting, recording practices, and production methodologies.

Bachelor of Science in Music (BSM) in Audio Engineering & Music Business – University of Colorado Denver (1996-08 – 2000-06)