Jasmine Richards

Front of House and Box Office Experience:

Audience Services Representative at PAC NYC (June 2026 – Present)

• Manage large audience crowds and scan tickets during ingress and egress for Off-Broadway performances
• Direct patrons throughout a multi-story performing arts venue and provide in-theatre ushering and audience support
• Address patron questions and accessibility needs with a welcoming, solutions-oriented approach

Ticketing and Front of House Assistant at The Playwright's Realm (September 2026 – Present)

• Facilitate will call and audience check-in at the front desk, monitoring house capacity for timed-entry events
• Guide audience members through technical setup of audio systems and provide on-site support throughout the event
• Manage ticketing inquiries via email, including ticket rebooking and resolving patron questions and issues

Assistant Manager at Columbia University Arts Initiative (January 2024 – May 2026)

• Utilized ticketing systems for Broadway, Opera, and NYCB, coordinating sales and processing daily income
• Provide information on student performances, free campus events, and city-wide arts opportunities
• Managed office of undergraduate team to optimize daily operations through Microsoft Office Suite

Theatrical Production Experience

Director's/Producer's Assistant at Only Murders in the Building /Jamie Babbit (May 2024 – July 2024)

• Coordinated demanding schedule to streamline production process in a high-pressure, fast-paced environment
• Served as a key liaison with head executives and all production teams to facilitate clear communication
• Reviewed confidential script revisions, daily call sheets, and emails to keep director prepared

Production Assistant at Atlas Drugged/The Builder's Association (July 2024– November 2024)

• Provided assistance supporting developmental, rehearsal, and performance process of Off Broadway show
• Conducted dramaturgical research for new script development to streamline process for lead creatives

Social Media Manager and Assistant Producer at PLAYFAST (2026)

• Promoted four solo performances at Barnard College through a combined digital and physical media campaign
• Designed individual and group show posters for online and print distribution, as well as social media posts

Producer and Production Manager at A White Girl's Understudy (2025)

• Organized a 5-week production schedule—including rehearsals, design meetings, and performances
• Designed and executed an online and physical media marketing campaign resulting in a sold out run
• Composed and published all published copy and facilitated coverage with outside journalists

Organizations

President, Historian, Producer at King's Crown Shakespeare Troupe, Columbia University (2023 – 2026)

• Organized club documentary materials on website and maintained database of scripts, photos, and production history
• Developed logistical, social, and artistic strategies for season planning to engage community with accessible theatre
• Lead executive board members in project management and conflict resolution to produce three productions yearly

B.A. in Theatre & English – Barnard College, Columbia University (2026-05)